- Books with large amounts of continuous text,
or similar images are a good candidate
for a symmetrical grid.
These are usually the simplest grid structures
with one column.
The same grid is duplicated
in mirror form on the opposite page.
Working with a simple symmetrical structure can create
a classic and elegant solution.
It can also be dull and gray as each page is basically
a big block of gray text.
A grid centered on a page with identical,
and small margins will create a big, bland block of content.
In this example, however, the negative space of the margins,
and placement of headlines, can create a dynamic structure.
Following classical proportions,
1.5, 2, 3, 4,
with ample margins, creates more tension simply
by not resting in the exact middle of a page.
The text is scaled to be the width of the column.
A good rule to remember, is not exceed 52 characters
with any line length.
Any longer, and the reader will give up.
The headlines can also create a dynamic.
The scale and typeface can be used to create
a dynamic relationship with the text.
Try several variations.
I like to work in multiples of the same sizes.
If the body text is 8 point, try the headline at 24 point.
The headline, subhead, or any other element is centered
on the text block, not the page.
The space between the headline, subhead, and text,
is another place to create tension on the layout.
Add an ornament, like a rule or typographic element
if the layout needs more visual interest.
Once you've determined the layout for a page with a headline
and a text only page, stick to a system.
This is now part of the grid.
If the headline is centered on the text at the top
of the grid, and the text starts at a lower hangline,
use this throughout the book.
Symmetrical grids are challenging.
You have fewer options to move the type left or right
and play with headlines and images to add tension.
But done well with care and consistency, they are timeless.